* I sense immediately that this environment is the most challenging I have encountered yet, to feel into the connective relation with Jens and the surrounding people. I note the sound-scape created by voices, movements, vehicles, construction, camera shutters, and feel into this collective hum.
*What I sense prevents us from establishing clarity in this space has to do with the movement patterns and agendas in the space, which are very transient. There is arrival, then posing with a frozen expression for photographs, then leaving. I sense a kind of vacant presence of the people, perhaps because for the most part, there is no memory-relationship created in this place. Rather, there is a memory manufactured – by virtue of video or photograph which captures the site these visitors ‘achieved’ on their trip, kind of like one of many destination items on a “to do” list which are ticked off when collected or done. This “memory” then goes to reside in a slideshow or album or other repository. I sense there is not much residual presence or imprint from the majority of the visitors which results from the lack of any memory-relationship created. In contrast, to walk through a cathedral or any sacred place of worship creates a residual presence, and collects in the space over time along with all other experiences there, and can be sensed very strongly. This is prayer, hymn, upliftment, ecstasy, grief and many other things reaching to the beyond from the heart and soul. How strong that is. As another example, the museum setting collects this residual presence, as well. There is contemplation, learning, provoking, interaction happening here. It is this imprint that we as performers in these spaces tune into. What has happened and is happening in these spaces/places shapes the imprint: and this is in large part because of the quality and nature of attunement and attention of those present in the space.
* I reach for the natural elements as a way to connect into the space on a deeper level. This is a place on this earth and it is exposed to the elements of nature. I sense the wind is my anchor here. Unseen itself, it causes movement and sensation that lets us know its strength, temperature, direction. When I feel the wind on my face and hands, I am simultaneously sensing myself and the wind. It is through this element that I am able to finally feel and trust into the space with Jens.
jasmine